Keep the original
Identify the Luna Ultra 10-bit I-Log source. Check whether any app export altered the profile or bit depth.
Build a Luna Ultra 10-bit I-Log workflow that preserves the source through transfer and gives moving portraits a controlled finish.
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See the video for a guide to the general conversion and creative-grading process. This is a shared workflow demonstration; the camera-specific guidance is below.
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A gimbal clip can look smooth while its colour workflow is less clear. Before grading Luna Ultra footage, establish whether the file entering Resolve is the original I-Log recording or an app export with a display treatment already applied.
Insta360 documents 10-bit I-Log on Luna Ultra. ToneLab’s public list currently names Luna Pro, but not Luna Ultra, so confirm the exact Luna Ultra input rather than assuming support transfers between those models. Insta360 also documents a native Resolve conversion route; that is an alternative technical path, not an extra conversion to stack on top.
For moving portraits, balance faces as the background and lighting change. Compare wide and closer compositions under the same creative direction, keeping local corrections where a turn or a change of position alters the light.
A known original and one deliberate conversion route give the creative grade a reliable foundation.
Identify the Luna Ultra 10-bit I-Log source. Check whether any app export altered the profile or bit depth. Verify Luna Ultra compatibility with ToneLab or follow Insta360’s documented Resolve conversion route.
This sequence is designed for an SDR Rec.709 finish. Account for any existing colour management before applying a technical conversion; the same LOG-to-display transformation should not happen twice.
Identify the Luna Ultra 10-bit I-Log source. Check whether any app export altered the profile or bit depth.
Verify Luna Ultra compatibility with ToneLab or follow Insta360’s documented Resolve conversion route.
If a native transform or manufacturer LUT handles the technical conversion, do not repeat it in Chroma.
Balance skin through changes in framing and light, then apply a compatible creative finish and review the entire movement.
Start from a known I-Log file and use an input transform intended for its curve and colour space.
Native conversion and a plugin conversion are alternatives for the same stage, not an automatic two-step recipe.
The public list names Luna Pro. Confirm the exact Ultra input before purchasing specifically for its conversion.
Yes. Insta360 documents 10-bit I-Log capture for Luna Ultra. Keep track of any processing or bit-depth changes during export.
The public list checked for this guide names Luna Pro, not Luna Ultra. Confirm the exact Ultra input with ToneLab.
Insta360 documents a Resolve route for Luna I-Log. Follow its current settings and avoid applying another LOG conversion afterwards.
Not if the LUT has already performed the same technical conversion. Use compatible creative processing on the converted image instead.
Profile reference: Insta360 Luna Ultra documentation. Check ToneLab’s current compatibility information for the exact input and installed version.
Find every camera in the ToneLab Camera Hub, or explore all Workflow articles.
Start with the correct 10-bit I-Log input, balance the shots and choose a look that fits your film.
Insta360 Luna Ultra 10-bit I-Log colour grading · Insta360 Luna Ultra LUT workflow · Insta360 Luna Ultra DaVinci Resolve · ToneLab Chroma Insta360 Luna Ultra · Insta360 Luna Ultra 10-bit I-Log to Rec.709 · Gimbal footage and export fidelity
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